{"title":"Pop","description":"","products":[{"product_id":"chappell-roan-the-giver-construction","title":"Chappel Roan - The Giver (The Construction Worker) (Neon Orange Vinyl)","description":"\u003cp\u003e\"The Giver\" es una canción de la cantautora estadounidense Chappell Roan. Fue lanzada como sencillo a través de Amusement e Island Records el 13 de marzo de 2025.\u003c\/p\u003e","brand":"Discomania","offers":[{"title":"Default Title","offer_id":50150518358306,"sku":"DMC-2507-002","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/Chappell-Roan-The-Giver-The-Construction-Worker-Neon-Orange-7in-Single.b8ec39626426ffac98233bff95d41fe5_1e586439-04fc-4d66-a626-3cd31efe1543.jpg?v=1753394122"},{"product_id":"chappell-roan-the-giver-dentist","title":"Chappel Roan - The Giver (The Dentist) (Neon Pink Vinyl)","description":"\u003cp\u003e\"The Giver\" es una canción de la cantautora estadounidense Chappell Roan. Fue lanzada como sencillo a través de Amusement e Island Records el 13 de marzo de 2026.\u003c\/p\u003e","brand":"Discomania","offers":[{"title":"Default Title","offer_id":50150518489378,"sku":"DMC-2507-003","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/Chappell-Roan-The-Giver-The-Dentist-Neon-Pink-7in-Single.5abede2ad62ff15b305d015ff0e492a6_2b809623-cac3-447e-9eef-bf648f884a73.jpg?v=1753394125"},{"product_id":"lana-del-rey-born-to-die","title":"Lana Del Rey - Born to Die (LP)","description":"\u003cp\u003eBorn to Die es el segundo álbum de estudio de la cantautora estadounidense Lana Del Rey. Fue lanzado el 27 de enero de 2012 a través de Interscope Records y Polydor Records como su debut en un sello major. Una reedición del álbum, subtitulada \u003cem\u003eThe Paradise Edition\u003c\/em\u003e, fue lanzada el 9 de noviembre de 2012.\u003c\/p\u003e","brand":"Discomania","offers":[{"title":"Default Title","offer_id":50162140119330,"sku":"DMC-2507-013","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/MjctMzQxNS5qcGVn.jpg?v=1753394142"},{"product_id":"pre-orden-natalia-lafourcade-de-todas-las-flores-2-lp","title":"Natalia Lafourcade – De Todas las Flores (2LP)","description":"\u003cp\u003e\"De Todas las Flores\" es el primer álbum de Natalia Lafourcade compuesto íntegramente por material original desde su aclamado Hasta la Raíz (2015). El resultado es una colección deslumbrante y profundamente sofisticada de canciones que conserva las virtudes compositivas que caracterizan a Natalia —giros melódicos singulares, poesía emotiva y una sensibilidad delicada— mientras revela una madurez musical que marca un nuevo paso en su carrera.\u003c\/p\u003e\n\u003cp\u003eEl álbum está inspirado en temas de vulnerabilidad, vida y muerte, lo femenino, la naturaleza, lo místico, el amor y el desamor.\u003c\/p\u003e","brand":"Discomania - Discos y Mas","offers":[{"title":"Default Title","offer_id":50684101853474,"sku":null,"price":46.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/0198028262415_594d0df0-d94f-4cec-b0eb-064dcda7f8d8.jpg?v=1765577240"},{"product_id":"gabriela-triste-triste-ep-cd","title":"Gabriela Triste - Triste EP (CD)","description":"\u003cp\u003eTriste es el EP debut de la artista salvadoreña Gabriela Triste. Este EP incluye el himno pop “Frutsi!” y versiones de estudio de “Domingo” y “44”. Limitado a solo 333 copias en todo el mundo, el CD incluye un booklet fotográfico de 4 paneles.\u003c\/p\u003e","brand":"Discomania - Discos y Mas","offers":[{"title":"Default Title","offer_id":50793924722978,"sku":null,"price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/TRISTECDMOCKUP.webp?v=1768415252"},{"product_id":"kraftwerk-man-machine","title":"Kraftwerk MAN MACHINE","description":"THE MAN-MACHINE and its predecessor, 1977's TRANS-EUROPE EXPRESS, deserve their exalted position in the pantheon of modern music, if only for their importance in shaping the future development of hip-hop and dance music. The concept behind The Man-Machine took Kraftwerk's mechanistic vision of humanity to its logical extreme, but the music within captured the group at their most engagingly melodic. Instantly memorable, \"The Model\" reached number 1 in the UK singles chart three years later, and proved to be a direct inspiration for the wave of gloomy electronic bands that quickly followed. However, none of them ever came close to grasping the subtle human touch that lay behind Kraftwerk's faceless exterior.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/08\/2009\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kraftwerk","offers":[{"title":"Default Title","offer_id":52349308633378,"sku":"ZW7FWK-62ZF-00","price":32.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/kraftwerk-man-machine_vMjw0.jpg?v=1787269466"},{"product_id":"kraftwerk-autobahn-limited-edition-remastered-2-lps","title":"Kraftwerk Autobahn (Limited Edition, Remastered) (2 Lp's)","description":"Germanic in approach and delivery, this record gets under the skin and infuriates as you find yourself compelled to hum the melodies. A significant record in the development of electronic music, and not to be confused with other \"kraut rock\" efforts from the school of mid-70s prog, this is the album from which countless bands borrowed riffs--passages of the Cure, Depeche Mode, Joy Division, and New Order are to be found among the five lengthy tracks. Don't be fooled: Kraftwerk were there at least five years in advance. Great for driving on the motorway in Europe, incidentally!\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/08\/2009\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kraftwerk","offers":[{"title":"Default Title","offer_id":52349308698914,"sku":"SKVRB5-VU71-00","price":32.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/kraftwerk-autobahn-limited-edition-remastered-2-lps_3wnXC.jpg?v=1787269473"},{"product_id":"the-weeknd-starboy-explicit-content-2-lps","title":"The Weeknd Starboy [Explicit Content] (2 Lp's)","description":"The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement. He notes the absurdity in taking a \"kids' show\" award for \"Can't Feel My Face,\" in which he was \"talkin' 'bout a face numbin' off a bag of blow.\" The track actually lost to Adele's \"Hello,\" but it clearly, somewhat comically, reached an unintended demographic. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He sings of being a \"Starboy\" with access to a fleet of sports cars, but he's a \"motherfuckin' starboy,\" one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life -- from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and \"Can't Feel My Face\" producers Max Martin and Ali Payami (four) -- the dark moments of vulnerability are pitch black. Lines like \"I switch up my cup, I kill any pain\" could have come from Tesfaye's mixtape debut, yet there are new levels of torment. In \"Ordinary Life,\" he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. It's followed with \"Nothing Without You,\" a ballad of toxic dysfunction. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's not all dread and depravity. There's some sense of joy in a one-night stand, and an echo of \"Say Say Say\" Michael Jackson, on the Luomo-ish house track \"Rockin'.\" Contrition is shown in the slick retro-modern disco-funk of \"A Lonely Night.\" Ironically enough, in the aching \"True Colors,\" Tesfaye sounds a little insecure about a lover's past. The album's lighter, comparatively sweeter parts -- the Tears for Fears-sampling\/Romantics-referencing \"Secrets\" and the breezy and only slightly devilish \"I Feel It Coming\" among them -- are all welcome highlights. When pared down to its ten best songs, Starboy sounds like Tesfaye's most accomplished work. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/10\/2017\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Weeknd","offers":[{"title":"Default Title","offer_id":52349845242146,"sku":"78OBML-NEA9-00","price":50.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/the-weeknd-starboy-explicit-content-2-lps_VNKhR.jpg?v=1787284180"},{"product_id":"michael-jackson-number-ones-limited-edition-red-colored-vinyl-2-lps","title":"Michael Jackson Number Ones (Limited Edition, Red Colored Vinyl) (2 Lp's)","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eAvailable for the first time on limited edition red vinyl, Number Ones features 18 of Michael Jackson’s biggest hits. This double-LP collection includes iconic tracks across his discography, including “Billie Jean,” “Smooth Criminal,” “Black or White,” “You Rock My World” and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"aec-musictabs\" class=\"ui-tabs ui-corner-all ui-widget ui-widget-content\"\u003e\n\u003cul role=\"tablist\" class=\"ui-tabs-nav ui-corner-all ui-helper-reset ui-helper-clearfix ui-widget-header\"\u003e\n\u003cli role=\"tab\" class=\"ui-tabs-tab ui-corner-top ui-state-default ui-tab ui-tabs-active ui-state-active\" aria-controls=\"mt-1\" aria-labelledby=\"MusicTracks\" aria-selected=\"true\" aria-expanded=\"true\" style=\"font-weight: bold;\" tabindex=\"0\"\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"mt-1\" aria-labelledby=\"MusicTracks\" role=\"tabpanel\" class=\"ui-tabs-panel ui-corner-bottom ui-widget-content\" aria-hidden=\"false\"\u003e\n\u003cdiv id=\"aec-jukebox\" class=\"tracksonly\"\u003e\n\u003cdiv class=\"jp-playlist tracksonly\"\u003e\n\u003cul\u003e\n\u003cli class=\"discnum\"\u003e- Disc 1 -\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Don't Stop 'Til You Get Enough\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Rock with You\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Billie Jean\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Beat It\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Thriller\u003c\/li\u003e\n\u003cli class=\"discnum\"\u003e- Disc 2 -\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Human Nature\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e I Just Can't Stop Loving You\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Bad\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e The Way You Make Me Feel\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Dirty Diana\u003c\/li\u003e\n\u003cli class=\"discnum\"\u003e- Disc 3 -\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Smooth Criminal\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Black or White\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e You Are Not Alone\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Earth Song\u003c\/li\u003e\n\u003cli class=\"discnum\"\u003e- Disc 4 -\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Blood on the Dance Floor\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e You Rock My World\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Break of Dawn\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e One More Chance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cul\u003e\n\u003cli\u003eBest Sellers: Top100\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 2026-01-30\u003c\/li\u003e\n\u003cli\u003eReleased: 2026-01-30\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Michael Jackson","offers":[{"title":"Default Title","offer_id":52349845274914,"sku":"9J5QVA-CCFV-GH","price":53.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/michael-jackson-number-ones-limited-edition-red-colored-vinyl-2-lps_SsQWW.png?v=1787284182"},{"product_id":"the-weeknd-beauty-behind-the-madness-2-lp","title":"The Weeknd Beauty Behind the Madness (2 LP)","description":"\u003cp\u003eAll bets regarding Abel Tesfaye's career arc were off once Trilogy, material previously released at no (financial) cost to the listener, went platinum. For a period after that, it seemed like the singer had peaked just short of pop-star status. His eager congregation pushed Kiss Land, the proper debut, to number two in the U.S., yet none of its singles, not even the one that featured Drake, reached the Hot 100. \"Love Me Harder,\" a duet with labelmate Ariana Grande released in 2014, proved to be a masterstroke. It put Tesfaye in the Top Ten for the first time and began a streak of similarly effective singles that preceded -- and are included on -- Beauty Behind the Madness. \"Earned It,\" a ballad recorded for the Fifty Shades of Grey soundtrack, showed that he could adapt to a traditional pop backdrop. That cut a path for \"The Hills,\" in which Tesfaye alleviated his \"day one\" base with a typically degenerate slow jam, co-produced by Illangelo, that affirmed \"When I'm fucked up, that's the real me\" while taking the toxic narrative a step further with lines like \"Drugs started feelin' like it's decaf.\" And then \"Can't Feel My Face,\" a sleek slice of retro-modern disco-funk produced by Max Martin and Ali Payami, landed in June 2015. An obvious pop move, it worked -- it went to number one in the U.S. and several other territories. Tesfaye skillfully delivered his biggest hooks as he sang about dependency in that part-anguished, part-euphoric fashion derived from Michael Jackson. Like its advance singles, the rest of Beauty Behind the Madness is R\u0026amp;B and pop as drug-den paella: chemical and sexual abasement, self-loathing, and self-absorbed belligerence over narcotized sludge and less expected moves that peak with the wholly sweet \"As You Are\" and crest with a big-band diversion on \"Losers.\" Collaborations with Kanye West, Ed Sheeran, and Lana Del Rey add star power; the last of that pack contributes to a moment where Tesfaye turns another corner by acknowledging a dead end through the fog, \"addicted to a life that's so empty and so cold.\" The commercial strides are obvious. The creative advancements are less apparent, but they're in there. \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eRSD Release Date: n\/a\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/11\/2015\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top50\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Weeknd","offers":[{"title":"Default Title","offer_id":52349845307682,"sku":"BL5M0J-3RFW-00","price":53.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/The-Weeknd-Beauty-Behind-the-Madness-2-LP_6hd0x.jpg?v=1787284184"},{"product_id":"michael-jackson-bad-25th-anniversary-180-gram-vinyl-3-lps","title":"Michael Jackson Bad: 25th Anniversary (180 Gram Vinyl) (3 Lp's)","description":"Personnel includes: Michael Jackson (vocals); Stevie Wonder (vocals, keyboards); The Winans (vocals); David Williams, Eric Gale, Steve Stevens, Bill Bottrell, Dann Huff, Michael Landau, Paul Jackson Jr. (guitar); Larry Williams (saxophone, keyboards, programming); Kim Hutchcroft (saxophone); Gary Grant, Jerry Hey (trumpet); John Barnes (piano, keyboards); Kevin Maloney (piano); Jimmy Smith (Hammond organ); Christopher Currell, Michael Boddicker, David Paich, Greg Phillinganes, Rhett Lawrence, Glen Ballard, Randy Kerber, Denny Jaeger (keyboards); Nathan East (bass); Ollie E. Brown (drums, percussion); John Robinson, Ndugu Chancler, Miko Brando, Humberto Gatica, Bruce Swedien (drums); Paulinho da Costa (percussion); Douglas Getschal, Cornelius Mims, Eric Persing, Steve Porcaro, Casey Young (programming).\r\nRecorded at Westlake Audio Studios, Los Angeles, California. Originally released on Epic (40600).\r\nDigitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).\r\nThe downside to a success like Thriller is that it's nearly impossible to follow, but Michael Jackson approached Bad much the same way he approached Thriller -- take the basic formula of the predecessor, expand it slightly, and move it outward. This meant that he moved deeper into hard rock, deeper into schmaltzy adult contemporary, deeper into hard dance -- essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn't a bad thing, but it's not a rousing success, either. For one thing, the material just isn't as good. Look at the singles: only three can stand alongside album tracks from its predecessor (\"Bad,\" \"The Way You Make Me Feel,\" \"I Just Can't Stop Loving You\"), another is simply OK (\"Smooth Criminal\"), with the other two showcasing Jackson at his worst (the saccharine \"Man in the Mirror,\" the misogynistic \"Dirty Diana\"). Then, there are the album tracks themselves, something that virtually didn't exist on Thriller but bog down Bad not just because they're bad, but because they reveal that Jackson's state of the art is not hip. And they constitute a near-fatal dead spot on the record -- songs three through six, from \"Speed Demon\" to \"Another Part of Me,\" a sequence that's utterly faceless, lacking memorable hooks and melodies, even when Stevie Wonder steps in for \"Just Good Friends,\" relying on nothing but studiocraft. Part of the joy of Off the Wall and Thriller was that craft was enhanced with tremendous songs, performances, and fresh, vivacious beats. For this dreadful stretch, everything is mechanical, and while the album rebounds with songs that prove mechanical can be tolerable if delivered with hooks and panache, it still makes Bad feel like an artifact of its time instead a piece of music that transcends it. And if that wasn't evident proof that Jackson was losing touch, consider this -- the best song on the album is \"Leave Me Alone\" (why are all of his best songs paranoid anthems?), a tune tacked on to the end of the CD and never released as a single, apart from a weirdly claustrophobic video that, not coincidentally, was the best video from the album. [A 25th Anniversary Edition was released on LP in 2013.] ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eReleased: 02\/12\/2013\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Michael Jackson","offers":[{"title":"Default Title","offer_id":52349845340450,"sku":"G1C955-2CZS-00","price":87.34,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/michael-jackson-bad-25th-anniversary-180-gram-vinyl-3-lps_mStRA.jpg?v=1787284186"},{"product_id":"michael-jackson-thriller-picture-disc","title":"Michael Jackson Thriller (Picture Disc)","description":"\u003cp\u003ePersonnel includes: Michael Jackson (vocals, percussion); Paul McCartney (vocals); Vincent Price (spoken vocals); Steve Lukather (guitar, bass); Eddie Van Halen, Dean Parks, Paul Jackson (guitar); Larry Williams (flute, saxophone); Jerry Hey (trumpet, flugelhorn); Bill Reichenbach (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, synthesizer, programming); Steve Porcaro (synthesizer, programming); David Foster, Rod Temperton (synthesizer); Tom Bahler (Synclavier); Louis Johnson (bass); Ndugu Chancler, Jeff Porcaro (drums); Paulinho Da Costa (percussion); Brian Banks (programming); LaToya Jackson, Julia Waters, Maxine Waters, Oren Waters, Becky Lopez, Janet Jackson (background vocals). Principally recorded at Westlake Audio, Los Angeles, California. The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your face. Each track offers at least one musical hook, whether it is the beauty of 'Human Nature' (who can resist the 'dada dada da da da') or the 'whoo whoo' of 'Billie Jean'. 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On over 25 tracks, he delves deep into familiar subjects including exes, his rap skills, and feeling bummed while broaching new areas like becoming a father and responding to Pusha T's epic diss track. Using spare melodies and slow trap beats, the rapper and his production team create a suffocating, introspective sound that allows him plenty of opportunity to explore and expunge his feelings and lay them out in typically melancholy fashion. Jay-Z, Ty Dolla $ign, and BOYSNEXTDOOR all have features, there's a ghostly Michael Jackson sample lurking on the second record, and the bouncy R\u0026amp;B track \"Nice for What\" gives the set a momentary pop feel. 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Personnel: Madonna (vocals, cowbell); Reggie Lucas (guitar, programming); Ira Siegel, Curtis Hudson, Paul Pesco (guitar); Bobby Malach (tenor saxophone); Fred Zarr (piano, Fender Rhodes piano, Moog synthesizer, drums); Dean Gant (piano, electric piano, synthesizer); Ed Walsh (synthesizer); Raymond Hudson (bass); Anthony Jackson (electric bass); Bashiri Johnson (percussion); Leslie Ming (programming); Gwen Guthrie, Norma Jean Wright, Brenda White, Chrissy Faith, Tina B. (background vocals). Producers include: Reggie Lucas, John \"Jellybean\" Benitez, Mark Kamins. Engineers include: Jim Dougherty, Michael Hutchinson, Jay Mark. Recorded at Sigma Sound Studios, New York, New York. All tracks have been digitally remastered. Punk and disco were the major musical innovations of the '70s. No one utilized these sources as shrewdly as Madonna, whose 1983 self-titled debut still sounds sharp 15 years later. A CBGB-era band waif who also loved the N.Y. dance club scene, Madonna Ciccone brought the brash, self-determining ethos of punk rock to the ecstastic melodic lift of Chic-style dance music. That other N.Y. sex symbol, Debbie Harry of Blondie, also had her biggest hits (\"Heart Of Glass,\" \"Rapture\") when she flirted with disco and rap, but a winking flirtation is all it remained. Her reputation as a master of imagemaking notwithstanding, Madonna never had much use for irony. Songs like the soulful \"Borderline\" and the celebratory \"Holiday\" were heartfelt stabs at commercial pop success in which the singer never condescends to the listener. 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As singer and horror-obsessed leader of the Misfits, Danzig took the Ramones' sound and image and mutated it into a nightmarish punk\/metal hybrid that every angst-ridden kid in Middle America could understand. Affectionately christened \"ghoul rock,\" the band warned of zombie resurrection and alien invasion. Punk belonged to fashion hotbeds like London and New York; ghoul rock belonged to the suburbs where nothing happens.\r\nIssued after the band's demise, MISFITS features the group's finest output, including some previously unreleased versions of classic songs. Opening with the Patty Hearst-inspired \"She,\" the collection traces the band's evolution from amped-up, 1950s-inspired punk rock (\"Astro Zombies\") to scream-along anthems (\"Night of the Living Dead\"), ending with their definitive model of thrash\/punk (\"Earth A.D.\"). 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This collection of music was written in the middle of the night - a journey through terrors \u0026amp; sweet dreams. The floors we pace and the demons we face - the stories of 13 sleepless nights scattered throughout Taylor’s life. Each LP includes 13 songs, 1 of 4 album jackets, 1 of 4 marbled color discs, 1 of 4 album sleeves with Taylor’s photo, 1 of 4 gatefold photos, and a lyric booklet with never-before-seen photos. Each reverse cover shows one-fourth of a clock face imposed over photos. All four colored vinyl disc covers form a completed clock.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTracks\u003cbr\u003e\r\n1. Lavender Haze\u003cbr\u003e\r\n2. Maroon\u003cbr\u003e\r\n3. Anti-Hero\u003cbr\u003e\r\n4. Snow On The Beach (feat. Lana Del Rey)\u003cbr\u003e\r\n5. You’re On Your Own, Kid\u003cbr\u003e\r\n6. Midnight Rain\u003cbr\u003e\r\n7. Question…?\u003cbr\u003e\r\n8. Vigilante Shit\u003cbr\u003e\r\n9. Bejeweled\u003cbr\u003e\r\n10. Labyrinth\u003cbr\u003e\r\n11. 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Rest assured, this trio hasn't lost its taste for serious riffing and catchy-as-all-get-out harmonies, as evidenced by the thumping \"Go,\" the jittery \"Stockholm Syndrome,\" and the anthemic \"Easy Target.\" For the most part, however, Blink 182 has cast a wide net in tweaking their sound, be it the stripped-down combination of Tom DeLonge's surf guitar and the finger snaps that define \"Violence\" or the tight shuffle drummer Travis Barker employs throughout \"I Miss You.\" A singing and songwriting cameo by the Cure's Robert Smith on \"All of This\" makes for a strange surprise, but given the more serious approach taken by the Blink boys on this go-round, the moody ambiance finds Smith's appearance fitting hand in glove. 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Still, with lines like \"Always kept my city on me like it was a Swatch\" and \"My dick longer than a Pringle box\" over beats that honor and match edgy acts like Death Grips (the raw \"Piss on Your Grave\" featuring Kanye West) and Future (who appears alongside 2 Chainz on the sprawling highlight \"3500\"), Rodeo is an absurd wonder that thankfully works. That's up to and including Bieber, Young Thug, and Scott's bedroom brain-burner \"Maria I'm Drunk,\" which is the ultra sheen of Taylor Swift with the lust of Miguel experienced via shrooms. \"Wasted\" sounds like Juicy J did an album for Stones Throw, \"Flying High\" with Toro y Moi borrows some of Slave's \"Slide\" so the indie party people get an anthem, then the very big \"90210\" travels across decades' worth of film soundtrack styles while sampling the late Pimp C as T.I. narrates. Weird that T.I. doesn't rap, and weirder still that Scott barely produces on this album, handing it over to returning and like-minded collaborators like Metro Boomin, Ultra$ound, and Mike Dean. His executive producer credit, however, is on point as the aesthetics of his early work are all here, and with \"We designed our love, around these drugs\" being the album's most profound lyrical moment, he may not be Nas, but he may be Warhol. As Kanye and Gaga try to bridge the gap between pop and art, this artist thrives in the chasm. 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Radiohead: Thom Yorke, Ed O'Brien, Jon Greenwood, Colin Greenwood, Phil Selway. Additional personnel: Jimmy Hastings (clarinet); Humphrey Lyttelton (trumpet); Pete Strange (trombone); Paul Bridge (double bass); Adrian MacIntosh (drums); St. John's Orchestra. Engineers: Nigel Godrich, Dan Grech-Marguerat. The Limited version of AMNESIAC won the 2002 Grammy Award for Best Recording Package. This second helping from the sessions that produced the preceding KID A will probably strike close listeners as a bit more structured, though it'll be difficult to determine whether that's simply because the peregrinations of the last album have prepared them for the trips to the outer limits taken here. Those expecting a U2-like return to tuneful, anthemic guitar-rock will have their hopes dashed upon a rock of colorful electronic experimentation and moody, studio-enhanced madness. The piano-based \"Pyramid Song\" and the Martian-gospel-choir ballad \"You and Whose Army?\" might placate verse-chorus-verse traditionalists slightly, but the sampler-in-a-trash-compactor \"Pulk\/Pull Revolving Doors\" and the pointillistic ambience of \"Hunting Bears\" attest to Radiohead's continued nonconformist tendencies. AMNESIAC opens with the claustrophobic, synth-bedecked \"Packt Like Sardines in a Crushd Tin Box\" and closes with the Dixieland funeral march \"Life in a Glass House.\" Along the way, the band engages in the kind of fearless, pretension-risking (but highly successful) sonic experimentation that made a cultural artifact out of SGT. PEPPER. 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Other songs address potentially somber topics--ghetto life (\"We Don't Care\"), religion (\"Jesus Walks\"), and family turmoil (\"Family Business\")--yet somehow retain a truly hopeful spirit. Although THE COLLEGE DROPOUT features top-notch cameos from Talib Kweli, Common, Mos Def, Freeway, Jay-Z, Ludacris, and Twista, it's clearly West's show.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 2\/24\/2004\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top50\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kanye West","offers":[{"title":"Default Title","offer_id":52350403117346,"sku":"Y6P1T0-NNR6-00","price":46.38,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/college-dropout_rE3rf.jpg?v=1787293442"},{"product_id":"mac-miller-go-od-am-explicit-content-2-lps","title":"Mac Miller Go:Od Am [Explicit Content] (2 Lp's)","description":"\u003cp\u003eTracksCredits - Disc 1 - 1 Doors 2 Brand Name 3 Rush Hour 4 Two Matches (Feat. Ab-Soul) 5 100 Grandkids - Disc 2 - 1 Time Flies (Feat. 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The disturbing timbre of Ray Manzarek's organ work provided the musical cloak through which guitarist Robbie Kreiger and vocalist Jim Morrison projected. Few singers in rock possessed his authority, where every nuance and inflection bore an emotional intensity. 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The famous quasi-live recording conditions of the BBC sessions provide another standout, the surging, desperate \"Aneurysm,\" which remains one of Nirvana's finest recorded moments.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/13\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nirvana","offers":[{"title":"Default Title","offer_id":52350405509410,"sku":"81SIXS-15BE-00","price":59.49,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/nirvana-incesticide-lp_0xv3G.jpg?v=1787293462"},{"product_id":"tyler-the-creator-goblin-mp3-download-2-lps","title":"Tyler The Creator Goblin (MP3 Download) (2 Lp's)","description":"\u003cp\u003eReleased by the XL label in a one-album deal, Goblin is the first widely accessible release from the Odd Future crew, an outlandish alternative hip-hop consortium that was the epitome of underground hip in 2011. With social networking, video sharing, and mixtapes as their tools, Odd Future's wild mix of skateboarding culture and scatological rhymes struck a chord with the right-click-and-save crowd, who will be relieved to know that the crew's leader delivered his aboveground debut without any sign of outside influence. Parents and defenders of good taste should be just as horrified because \"God damn I love bitches\/Especially when they just suck dick and do dishes\" (\"Transylvania\") is the way Tyler, the Creator rolls, coming incorrectly in a ski mask, irresponsibly rapping about rape, and with suicidal tendencies: the mindset, not the band. It's just as ugly as it sounds, and when Tyler tells listeners \"this ain't horrorcore,\" it's followed by an even more ridiculous claim that you can \"dig deeper\" for proof, but then comes a brilliant line like \"She's the one I'm thinking of when I am beating Richard up\" (\"Her\"), or an incredibly infectious zombie anthem (\"Sandwitches\"), and suddenly, this Grand Guignol called Goblin lives up to the hype. Just like on his debut mixtape, Bastard, the rapper's fictional therapist helps tie the tracks together for a decent overall flow, and Tyler's production is as attractive as ever, contrasting his disgusting rhymes and gruff voice with subdued, sometimes serene beats that echo and creep. While the album is a revolutionary object in that such fantastic filth was born and flourished outside the corporate -- and even indie -- music industry, production is about the only thing to be objective about, as everything else is polarizing and preaching to the converted. Odd Future? Odd Freakshow is more like it, but if you've ever wondered what an inspired mash of Three 6 Mafia, Pharell Williams, and Kool Keith would sound like if they absolutely hated you, then Goblin is the sweet pain you crave. ~ David Jeffries\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/10\/2011\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP standard Gatefold Jacket\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tyler The Creator","offers":[{"title":"Default Title","offer_id":52355383001378,"sku":"EWJ8U2-1U48-00","price":43.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/tyler-the-creator-goblin-mp3-download-2-lps_UKUvf.jpg?v=1787375169"},{"product_id":"led-zeppelin-led-zeppelin-iv-180-gram-vinyl-remastered","title":"Led Zeppelin Led Zeppelin IV (180 Gram Vinyl, Remastered)","description":"\u003cp\u003eEncompassing heavy metal, folk, pure rock \u0026amp; roll, and blues, Led Zeppelin's untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of '70s hard rock. Expanding on the breakthroughs of III, Zeppelin fuse their majestic hard rock with a mystical, rural English folk that gives the record epic scope. Even at its most basic -- the muscular, tradtionalist \"Rock and Roll\" -- the album has a grand sense of drama, which is deepened by Robert Plant's burgeoning obsession with mythology and mysticism. These obsessions come to a head on the eerie folk ballad \"The Battle of Evermore,\" a mandolin-driven song with haunting vocals from Sandy Denny, and on the epic \"Stairway to Heaven,\" which encapsulates the entire album in one song. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eBest Sellers: Top50\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/27\/2014\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Led Zeppelin","offers":[{"title":"Default Title","offer_id":52355390210338,"sku":"L886PM-2TE3-00","price":32.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/led-zeppelin-led-zeppelin-iv-180-gram-vinyl-remastered_S3SQ6.jpg?v=1787375726"},{"product_id":"phoebe-bridgers-copycat-killer-12-ep-black","title":"Phoebe Bridgers Copycat Killer (12\" EP - Black)","description":"\u003cp\u003e\u003cspan\u003eCopycat Killer is a 12\" featuring 4 exclusive new versions of songs from Phoebe Bridgers’ wildly acclaimed Punisher album. Collaborating with arranger Rob Moose (Sufjan Stevens, The National, Bon Iver, Vampire Weekend, Jay-Z), these are brand new orchestral arrangements of the songs Kyoto, Savior Complex, Chinese Satellite and Punisher, all given a luscious revamp that is sure to delight any fans of Phoebe’s album and serve as perfect gateway for new listeners into what makes her one of the most special artists of 2020 and beyond.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/14\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoebe Bridgers","offers":[{"title":"Default Title","offer_id":52355390275874,"sku":"L7NMOH-2TPX-00","price":21.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/phoebe-bridgers-copycat-killer-12-ep-black_BGxJw.jpg?v=1787375730"},{"product_id":"led-zeppelin-presence-180-gram-vinyl-remastered","title":"Led Zeppelin Presence (180 Gram Vinyl, Remastered)","description":"\u003cp\u003eLed Zeppelin: Robert Plant (vocals, harmonica); Jimmy Page (electric \u0026amp; acoustic guitars, background vocals); John Paul Jones (bass, keyboards, background vocals); John Bonham (drums). Recorded at Musicland Studios, Munich, West Germany. Created at a time of intense turmoil for Led Zeppelin -- they scrapped a planned international tour in the wake of Robert Plant's car accident in Greece in August 1975 -- Presence is a strange, misshapen beast of a record that pulls upon its own tension. With Plant somewhat on the sidelines -- he recorded many of the vocals while in a wheelchair -- Jimmy Page reasserted himself as the primary creative force in the band, helping steer Presence toward a guitar-heavy complexity, perched halfway between a return to roots and unfettered prog. This dichotomy means it feels like Presence sprawls as wildly as Physical Graffiti even though it's half its length: the four epics tend to overshadow the trio of lean rockers that really do hark back to the Chess boogie and rockabilly that informed Zeppelin's earliest work. Each of these three -- \"Royal Orleans,\" \"Candy Store Rock,\" \"Hots on for Nowhere\" -- plays as snappily as the throwaways on the second half of Physical Graffiti, containing a sexy insouciance; the band almost seems to shrug off how catchy Page's riffs and how thick the grooves of John Bonham and John Paul Jones actually are. No matter how much fun this triptych is, they're lost underneath the shadow of \"Achilles Last Stand,\" a ten-minute exercise in self-styled moody majesty and the turgid blues crawl of closer \"Tea for One.\" In between, there are two unalloyed masterpieces that channel all of the pain of the period into cinematic drama: a molten blues called \"Nobody's Fault But Mine\" and \"For Your Life,\" as sharp, cinematic, and pained as Zeppelin ever were. Added together, Presence winds up as something less than the sum of its parts but its imbalance also means that it's a record worth revisiting; it seems different upon each revisit and is always compelling. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/31\/2015\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Led Zeppelin","offers":[{"title":"Default Title","offer_id":52355390308642,"sku":"E0UY22-6RP3-00","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/led-zeppelin-presence-180-gram-vinyl-remastered_gGHKx.jpg?v=1787375731"},{"product_id":"led-zeppelin-houses-of-the-holy-180-gram-vinyl-gatefold-lp-jacket-remastered","title":"Led Zeppelin Houses of the Holy (180 Gram Vinyl, Gatefold LP Jacket, Remastered)","description":"\u003cp\u003eBy 1973, Led Zeppelin was getting used to being the biggest band on the planet (both financially and sonically). Letting their guard down and their spirits wander, they came up with the most widely varied album in their discography. Stylistically, HOUSES OF THE HOLY is all over the map, but it coheres in a grand manner befitting the '70s rock royalty Zeppelin had become. Stepping back a little from the epic scale of ZEPPELIN IV, the group slips into a funky James Brown homage (\"The Crunge\"), offers one of the first-ever attempts at reggae-rock (\"D'yer Ma'ker\"), and ventures into Pink Floyd-like prog rock (\"No Quarter\"). Jimmy Page's guitar work is at its most exquisitely beautiful on \"The Rain Song,\" but the heavy-rock punch of yore is still present and accounted for on \"Dancing Days\" and \"The Ocean.\" From here, it seemed like Led Zeppelin was capable of anything.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/27\/2014\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Led Zeppelin","offers":[{"title":"Default Title","offer_id":52364880970018,"sku":"OKR5EY-JMSO-00","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/led-zeppelin-houses-of-the-holy-180-gram-vinyl-gatefold-lp-jacket-remastered_4xqXN.jpg?v=1787450491"},{"product_id":"pink-floyd-animals-180-gram-vinyl-remastered","title":"Pink Floyd Animals (180 Gram Vinyl) (Remastered)","description":"\u003cp\u003ePink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass); Nick Mason (drums). Recorded at Britannia Row Studios, London, England. Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California). Of all of the classic-era Pink Floyd albums, Animals is the strangest and darkest, a record that's hard to initially embrace yet winds up yielding as many rewards as its equally nihilistic successor, The Wall. It isn't that Roger Waters dismisses the human race as either pigs, dogs, or sheep, it's that he's constructed an album whose music is as bleak and bitter as that world view. Arriving after the warm-spirited (albeit melancholy) Wish You Were Here, the shift in tone comes as a bit of a surprise, and there are even less proper songs here than on either Wish or Dark Side. Animals is all extended pieces, yet it never drifts -- it slowly, ominously works its way toward its destination. For an album that so clearly is Waters', David Gilmour's guitar dominates thoroughly, with Richard Wright's keyboards rarely rising above a mood-setting background (such as on the intro to \"Sheep\"). This gives the music, on occasion, immediacy and actually heightens the dark mood by giving it muscle. It also makes Animals as accessible as it possibly could be, since it surges with bold blues-rock guitar lines and hypnotic space rock textures. Through it all, though, the utter blackness of Waters' spirit holds true, and since there are no vocal hooks or melodies, everything rests on the mood, the near-nihilistic lyrics, and Gilmour's guitar. These are the kinds of things that satisfy cultists, and it will reward their attention -- there's just no way in for casual listeners. [Animals was re-released on LP in 2016.] ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/02\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pink Floyd","offers":[{"title":"Default Title","offer_id":52364881133858,"sku":"YCDE9F-3CFU-00","price":33.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/pink-floyd-animals-180-gram-vinyl-remastered_ybVeC.jpg?v=1787450497"},{"product_id":"pink-floyd-ummagumma-remastered-gatefold-lp-jacket-2-lps","title":"Pink Floyd Ummagumma (Remastered, Gatefold LP Jacket) (2 Lp's)","description":"UMMAGUMMA features a set of live performances on Disc 1 and a collection of solo studio projects by various band members on Disc 2.\r\nPink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass); Nick Mason (drums).    \r\nDisc 1 was recorded live at Mothers, Birmingham, England and live at The\r\nManchester College Of Commerce, England in June 1969.\r\nParty-liners may favor DARK SIDE OF THE MOON, but diehard space cadets recognize UMMAGUMMA as the pinnacle of post-Barrett Floyd's achievement. Originally released as a double LP, the first record is a live recording from 1969, while the second features four extended cuts written by (and featuring) each of the four band members in turn. Eschewing the catchy, Kinks-influenced pop kaleidoscope of the band's first album, the live portion focuses on extended, spacy near-instrumentals, heavy on acid-fueled jamming and atmospheric electronic textures.\r\nFrom the Eastern-tinged \"Set the Controls for the Heart of the Sun\" to the over-the-top psychosis of \"Careful With That Axe, Eugene,\" UMMAGUMMA's first half is ground zero for the genre that would come to be known as space rock. The solo efforts on the second half are undoubtedly the band's most experimental, unconventional efforts ever. They make good use of the avant-garde techniques that were a key early influence, like musique concrete-style tape collage and sound effects. Along the way, there's some lovely folk-tinged balladry, courtesy of Roger Waters (\"Grantchester Meadows\"), and some proto-prog keyboard wizardry (Richard Wright's multi-part \"Sysyphus\").\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/03\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pink Floyd","offers":[{"title":"Default Title","offer_id":52364882379042,"sku":"XW8L66-JIYB-CL","price":56.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/pink-floyd-ummagumma-remastered-gatefold-lp-jacket-2-lps_u0k8W.jpg?v=1787450504"},{"product_id":"the-black-keys-turn-blue","title":"The Black Keys TURN BLUE","description":"Like corporate drones determined to cut loose every third Friday whether they need to or not, the Black Keys take the time to schedule semi-regular journeys into the unknown. Turn Blue, the 2014 successor to their down-and-dirty international blockbuster El Camino, is one of those trips, a churning psychedelic excursion that slowly pulses in any color you like. Those colors spread out slow and low as Turn Blue gets underway via \"Weight of Love,\" sounding not at all unlike Pink Floyd's \"Breathe in the Air,\" a deliberate comparison the Keys return to often throughout the album, letting it decorate fleeting moments and infuse full songs (\"Bullet in the Brain,\" the first single pulled from the LP, hits many of the same notes). Floyd looked to space but, like the Ohio natives that they are, the Black Keys' concerns are earthbound. Dan Auerbach primarily sings songs about love lost and won, sprinkling in a little bit of lust along the way, and he and Patrick Carney certainly share a love of soul and groove, something that's rarely heard in music as trippy as this. Time and time again throughout Turn Blue, the Black Keys and Danger Mouse turn toward those rhythms without abandoning the psychedelic swirl that gives the album its distinctive flavor. Unlike 2008's Attack \u0026amp; Release -- the last time the Black Keys decided to get out, way out (and not coincidentally their first collaboration with Danger Mouse) -- this has momentum, a drive provided by those heavy rhythms (they escalate so much, \"10 Lovers\" flirts with glitter-ball disco) and sheets of outsized fuzz guitars that cut through the haze. Songs stretch out longer here than they have on any previous Black Keys LP, but this doesn't feel indulgent due to the precision of the production; things may seem to drift but every bit of fuzz and echo is in its right place. Initially, this immaculately shaded production draws attention to itself but, in time, Turn Blue reveals that underneath its surface flash it's a quietly adventurous and substantive record. The Black Keys retain their fascination with southern soul of the late '60s -- the title track is coolly insinuating, \"Fever\" stomps and shakes -- but where El Camino pushed these retro-fantasies to the center, they're merely the bones of this record, the solid structure upon which the band and Danger Mouse choose to expand. Although the closing \"Gotta Get Away\"-- its title borrowed from both the Rolling Stones and the Impressions but the song sounds like neither group -- illustrates how good the duo is when they keep things grounded in the garage, the rest of Turn Blue impresses because it does what all great bands should do: it captures a band stretching while always sounding like themselves. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eReleased: 05\/13\/2014\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Black Keys","offers":[{"title":"Default Title","offer_id":52364882444578,"sku":"2UGYU4-TVCO-00","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/the-black-keys-turn-blue_HUTJG.jpg?v=1787450507"},{"product_id":"j-dilla-donuts","title":"J Dilla Donuts","description":"Donuts was made on a hospital bed and in a home studio, on a stripped-down setup with a stack of vinyl. Released on its maker's 32nd birthday, three days before he passed away, the album has a resonance deeper than anyone could've hoped for or even imagined. Some who were close to Dilla have said that there are hidden messages in the samples, the track titles, and who knows where else. It's impossible not to speculate about some things, like the track titled \"Don't Cry,\" the looped \"broken and blue\" from a version of \"Walk on By,\" the presence of Eddie Kendricks singing \"My people, hold on,\" or the fact that there are 31 tracks, a possible signal that Dilla survived a little longer than he expected. Then again, for every possible message, there are two or three elements that could've been designed to throw any analysis off its trail. After all, if there's one single image that the disc brings to mind, it's that of Dilla goofing off, having fun with some of his favorite records, and messing with some heads in the process. (And you could probably make the album's title out to be a metaphor for the circle of life, but sometimes a donut is just a donut.) Armed with sources that are either known to novice sample spotters or only the most seasoned diggers -- surprisingly, the former greatly outweighs the latter -- Dilla's also just as likely to leave his samples barely touched as he is to render them unrecognizable. It's fitting that Motown echoes, a predominant theme, are often felt, from the use of Dionne Warwick's Holland-Dozier-Holland-written \"You're Gonna Need Me\" (on \"Stop\"), to the shifting waves of percussion plucked from Kendricks' \"People... Hold On\" (on \"People\"), to the Stevie-like piano licks within Kool \u0026amp; the Gang's \"The Fruitman\" (\"The Diff'rence\"). Most of the tracks fall into the 60-90 second range. It's easy to be overwhelmed, or even put off, by the rapid-fire sequence, but it's astounding how so many of the sketches leave an immediate impression. By the third or fourth listen, what initially came across as a haphazard stream of slapped-together fragments begins to take the shape of a 44-minute suite filled with wistful joy. Like everything else Dilla has ever done, Donuts is not defining; in fact, elements of its approach bare the apparent influence of Jaylib collaborator Madlib. His mode has always been too slippery and restlessly progressive to be equated with any one track or album, but Donuts just might be the one release that best reflects his personality. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP w\/ DL\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/04\/2011\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"J Dilla","offers":[{"title":"Default Title","offer_id":52365105529122,"sku":"DJCCZP-6T8K-00","price":38.4,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/j-dilla-donuts_NxhHz.jpg?v=1787451314"},{"product_id":"a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-service-2-lps","title":"A Tribe Called Quest We Got It From Here: Thank You 4 Your Service (2 Lp's)","description":"\u003cp\u003eIt seemed like the story of A Tribe Called Quest ended with the sad passing of original member Phife in early 2016. It began with their glory days as one of hip-hop's greatest acts to years of sometimes bitter estrangement, then hit a high point with the group coming together in 2015 to celebrate the 25th anniversary of their debut album People's Instinctive Travels and the Paths of Rhythm. They had a surprise up their sleeve, though. On the night they performed on The Tonight Show, the four original members of the Tribe decided the time was right to hit the studio and make a new album. Repairing relationships was the first step and once that happened, the group (minus Ali Shaheed Muhammad, who was in Los Angeles working on the music to Luke Cage) holed up in Q-Tip's home studio and started working on their comeback, We Got It from Here... Thank You 4 Your Service. Q-Tip held down the producer's chair with a mad scientist's flair, searching near and far through his record collection for inspiration. Tip, Phife, and Jarobi brought rhymes that sounded like they'd been sealed up since the early '90s, then broken open and served fresh. Old collaborators Busta Rhymes and Consequence dropped by to add their skills and energy; new artists like Kendrick Lamar and Anderson Paak, who grew up on the Tribe, dropped by to add verses, and some big names like Andre 3000 and Kanye West jumped in feet first, especially Andre, whose rapid-fire verses with Q-Tip on \"Kids\" provide one of the record's highlights. Jack White adds some of his guitar heroics on a few tracks and Elton John makes a cameo as well, singing the hook of the very odd \"Solid Wall of Sound.\" The sheer number of guests, the long wait since their last album, the shifting tides of hip hop -- all these factors could have led to We Got It being a disappointment. Amazingly, it turns out to be almost the exact opposite. Thanks to Q-Tip's visionary and pleasingly weird production, which draws from golden age hip-hop, old-school jazz, odd samples, dub reggae, and interplanetary electro, the fact the neither he nor Phife have lost even a small percentage of a step, and the seamlessly integrated contributions from the guests (especially Paak on \"Moving Backwards\"), the album is vibrant, intense, and alive. The group sound like they're having a blast on party songs like \"The Donald\" or the buoyant \"Dis Generation,\" get mad as hell on tracks like \"Space Program\" and \"We the People,\" and generally come off like they're still the greatest. This is no nostalgia trip or callous comeback. It's a giant exclamation point on the end of a brilliant career. It's also a tribute to the everyman genius of Phife, a widescreen look at the record-making skills of Q-Tip, and most importantly, it's a pure, undiluted, joyous thrill to have the Tribe back and still sounding this vital. ~ Tim Sendra\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 12\/23\/2016\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"A Tribe Called Quest","offers":[{"title":"Default Title","offer_id":52365111329058,"sku":"C1PZ2G-B4EY-00","price":37.42,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/a-tribe-called-quest-we-got-it-from-here-thank-you-4-your-service-2-lps_4h7gW.jpg?v=1787451336"},{"product_id":"cage-the-elephant-tell-me-im-pretty-180-gram-vinyl-gatefold-lp-jacket","title":"Cage The Elephant Tell Me I'm Pretty (180 Gram Vinyl, Gatefold LP Jacket)","description":"\u003cp\u003eOn their fourth album, Tell Me I'm Pretty, Kentucky rock band Cage the Elephant still can't shake their influences. Over the course of Cage the Elephant's career, each step along the way has attracted attention for the sounds they incorporated: Nirvana, Beck, the Strokes, Arctic Monkeys, the White Stripes, Pixies. Now, enter the Black Keys. It's no surprise, given that the head Key, Dan Auerbach, produced the album at his Easy Eye Studio in Nashville. Entwined in their Southern-fried rock sound, Auerbach brings an organic production to Tell Me I'm Pretty, reportedly using first takes and scratch vocals. So while the band's sound has softened somewhat -- there's less rollicking fury and the feral edges have been smoothed (most notably on the plaintive beauty \"How Are You True\") -- the fresh depth and grit heard here are reminiscent of Arctic Monkeys' evolution once they hooked up with Josh Homme. As with that relationship, the young band's sound naturally takes on the flavor of the producer's band, and it's mostly for the better. Auerbach's signature Black Keys sound pops up on a few tracks: most notably on first single \"Mess Around,\" which is a perfect El Camino hip-shaker, as well as the stomping \"Punchin' Bag.\" Elsewhere, glimmers of former ferocity briefly pop up, especially on the sneering sleazy album closer \"Portuguese Knife Fight,\" which sounds like \"Down on the Street\" Iggy Pop fronting the aforementioned Arctic Monkeys lads. For fans of the \"old\" Cage, the sparkly twang of \"Trouble\" harks back to their Pixies hero worship heyday: it apes \"Where Is My Mind?\" so expertly it even includes the line \"God don't let me lose my mind.\" Despite the clear connections, it's not completely derivative. Cage the Elephant are maturing and their songs have a new heft to them, which may drive away some old diehards but will certainly attract new followers. ~ Neil Z. Yeung\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/18\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cage The Elephant","offers":[{"title":"Default Title","offer_id":52365113000226,"sku":"EQ50PU-XM75-00","price":32.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/cage-the-elephant-tell-me-im-pretty-180-gram-vinyl-gatefold-lp-jacket-_3chDU.jpg?v=1787451340"},{"product_id":"john-coltrane-blue-train","title":"John Coltrane Blue Train","description":"Personnel: John Coltrane (tenor saxophone); Lee Morgan (trumpet); Curtis Fuller (trombone); Kenny Drew (piano); Paul Chambers (bass); Philly Joe Jones (drums).\r\nRecorded at Van Gelder Studio, Hackensack, New Jersey on September 15, 1957. Originally released on Blue Note (81577). Includes liner notes by Robert Levin and Bob Blumenthal.\r\nThis Enhanced-CD version of BLUE TRAIN features audio tracks from BLUE TRAIN, interviews with jazz musicians (including Curtis Fuller, who played trombone on BLUE TRAIN), still pictures and video clips from the period, and a multimedia biography of Coltrane.\r\nPersonnel includes: John Coltrane (tenor saxophone); Lee Morgan (trumpet); Curtis Fuller (trombone); Kenny Drew (piano); Paul Chambers (bass); \"Philly\" Joe Jones (drums).\r\nProducer: Alfred Lion.\r\nReissue producer: Michael Cuscuna.\r\nRecorded at Van Gelder Studios, Hackensack, New Jersey. Includes liner notes by Michael Cuscuna.\r\nDigitally remastered by Ron McMaster.\r\nPersonnel: John Coltrane (alto \u0026amp; tenor saxophones); Gene Ammons, Paul Quinichette (tenor saxophone); Pepper Adams (baritone saxophone); Donald Byrd (trumpet); Jerome Richardson (flute); Tommy Flanagan, Red Garland, Mal Waldron (piano); Kenny Burrell (guitar); Paul Chambers, George Joyner, Earl May (bass); Jimmy Cobb, Arthur Taylor (drums).\r\nProducer: Bob Weinstock.\r\nCompilation producer: Ed Michel.\r\n\r\nRecorded at the Ven Gelder Studios, Hackensack, New Jersey between August 16, 1957 and May 23, 1958. Includes liner notes by Stuart Kremsky.\r\nDigitally remastered by Joe Tarantino (1996, Fantasy Studios, Berkeley, California).\r\nRecorded in 1957, BLUE TRAIN is considered by the artist himself to be his finest work. In the mid-50's, Trane played with Miles Davis and Thelonius Monk, and he used the experience to propel himself to new heights of improvisational hard bop. The elements that comprise BLUE TRAIN would come to influence every generation of musicians that followed.\r\nThe bluesy title track kicks in with an extended Coltrane tenor sax solo. Four years later Coltrane would also adopt soprano sax into his fold. This leads into solos by Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano and Paul Chambers brings it home on the bass. Philly Joe Jones keeps the beat impeccably throughout, with a slight shuffle. \"Moment's Notice\" quickens the pace and showcases Jones' more intricate drumming. \"Locomotion\" takes an almost rock 'n' roll pace with the sax and trumpet playing in perfect tandem. Coltrane then shows his diversity by taking it easy and delicate in \"I'm Old Fashioned.\" \"Lazy Bird\" is an excellent mid tempo number that concludes the album.\u003cul\u003e\n\u003cli\u003eReleased: 02\/09\/2015\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":52365113032994,"sku":"476U12-M5XC-00","price":20.78,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/john-coltrane-blue-train_QzBb6.jpg?v=1787451342"},{"product_id":"arctic-monkeys-favourite-worst-nightmare","title":"Arctic Monkeys Favourite Worst Nightmare","description":"\u003cp\u003eOn 2007's FAVOURITE WORST NIGHTMARE, Arctic Monkeys follow up their excessively hyped and undeniably catchy debut (WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT) with another round of fiery post-punk-influenced tunes. Given the Sheffield, England quartet's newfound status as full-blown rock stars in their homeland, they wisely avoid the working-class-bloke-isms that rang true on their first album, and instead opt for a broader lyrical scope and a significantly weightier approach. The Monkeys' Mark II aesthetic is best embodied by the lead single \"Brianstorm,\" a pounding track (about a friend, hence the deliberate misspelling) that kicks off the outing with rapid-fire guitar riffs and pummeling percussion. NIGHTMARE also finds the band looking good on the dancefloor with songs such as \"Teddy Picker\" and \"D Is for Dangerous,\" which combine inescapably funky rhythms with frontman Alex Turner's raspy howl. To his credit, Turner turns his Yorkshire-accented voice into a comforting croon on the surprisingly atmospheric \"Only Ones Who Know,\" imbuing the record with the dynamism that was somewhat lacking on WHATEVER. A sure sign that the Monkeys aren't fading away after their big bang, FAVOURITE WORST NIGHTMARE is the sound of a tough young band playing for keeps.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/26\/2013\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arctic Monkeys","offers":[{"title":"Default Title","offer_id":52365116211490,"sku":"EV8ZWG-OSA8-00","price":32.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/arctic-monkeys-favourite-worst-nightmare_XoAkU.jpg?v=1787451356"},{"product_id":"travis-scott-birds-in-the-trap-sing-mcknight-download-insert-explicit-content-2-lp","title":"Travis Scott Birds In The Trap Sing Mcknight (Download Insert) [Explicit Content] (2 LP)","description":"Titled after one of Quavo's lines from the chirpy summertime 2016 hit co-billed to Travis Scott and Young Thug, this fitfully hypnotizing follow-up arrived after numerous delays, toward the end of the year's third quarter. \"Pick Up the Phone\" functioned as the lead single off Thug's JEFFERY, and it sensibly reappears here, buried in the latter half, de-emphasized yet not quite a tacked-on bonus. It's easily the track with the most pop appeal on Scott's second full-length. Released almost exactly a year after Rodeo, Birds in the Trap features little development, though the large company Scott keeps is quite different, and Metro Boomin is noticeably absent. Among the present is Andr? 3000, who drops by on \"The Ends\" to recollect the infamous rash of murders that struck his city during his early childhood. The album's deepest verse by a great measure, it has no discernible connection to Scott's surrounding rhymes of cocksure nonsense. That remains the M.O. of Scott, who remains deeply into heavy accessorization and proclamations of dominance, as well as punctuations with affirmative exclamations cast in dehumanizing pitch alteration. Swarming basslines and sluggish beats likewise form the rhythmic foundation, with gauzy and tickling keyboards adding sweetness to Scott's hedonistic hooks. Only on \"Guidance,\" through scuttling drums granted by DF, is there a significant shake-up. This time, Scott co-produced only one track, another Weeknd collaboration, and it easily slips into the album's scheme with its serpentine menace and lightweight lyricism. Among the others on the guest carousel are Kendrick Lamar, Kid Cudi, 21 Savage, and Cassie. They all pass in a slow-motion blur. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/25\/2016\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Travis Scott","offers":[{"title":"Default Title","offer_id":52365116703010,"sku":"I7S6EO-HWGX-00","price":37.42,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/travis-scott-birds-in-the-trap-sing-mcknight-download-insert-explicit-content-2-lp_aFLDk.jpg?v=1787451359"},{"product_id":"ahmad-jamal-live-at-the-pershing-lounge-1958-but-not-for-me-180-gram-vinyl-import","title":"Ahmad Jamal Live At The Pershing Lounge 1958 (But Not For Me) (180 Gram Vinyl) [Import]","description":"Recorded at the Pershing Club in Chicago, IL, Jamal's third album (including the hit \"Poinciana\") was the turning point in his career. His liberal use of silence influenced many jazz musicians, including Miles Davis. ~ Michael Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/20\/2012\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ahmad Jamal","offers":[{"title":"Default Title","offer_id":52365117686050,"sku":"XAXVVK-LQF8-R2","price":25.58,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/ahmad-jamal-live-at-the-pershing-lounge-1958-but-not-for-me-180-gram-vinyl-import_7tB4m.jpg?v=1787451362"},{"product_id":"john-coltrane-giant-steps-180-gram-vinyl","title":"John Coltrane Giant Steps (180 Gram Vinyl)","description":"The 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos.\r\nPersonnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).\r\nProducer: Nesuhi Ertegun.\r\nReissue producer: Bob Carlton, Patrick Milligan.\r\nRecorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.\r\nDigitally remastered by Bill Inglot \u0026amp; Dan Hersch (DigiPrep).\r\nPersonnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).\r\nRecorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.\r\nJohn Coltrane's maiden voyage for Atlantic Records was the fulfillment of all the potential he'd demonstrated with Miles, Monk and on his own Prestige recordings. Recorded in May 1959 (one month after completing Davis' KIND OF BLUE), GIANT STEPS is Coltrane's first recital to feature nothing but his own original compositions, and is the culmination of his obsessive foray into harmony. By taking all of the notes in a chord--and trying to find every possible inversion and relevant substitution--the saxophonist was forced to develop a complex new form of melodic phrasing that enabled him to rhythmically crowd every permutation into a single phrase.\r\nThe effect is not only technically impressive, but an emotional marvel as well. On equestrian events such as the up-tempo title tune and \"Countdown,\" Coltrane blazes through the changes with a torrential effusion of ideas, each phrase connected to the next with unerring logic and a sublime sense of symmetry. Every note in the lower, middle and upper register of his horn is articulated with power, precision and a variety of expressive timbres. His manipulation of overtones and multiphonics imparts a hair-raising vocal immediacy to his cry, and each solo culminates in a stirring emotional catharsis. This is bebop to the tenth power.\r\nBut the joy of Coltrane's art is not predicated on its intellectual dexterity. The charming stop-time cadences of \"Syeeda's Song Flute\" depict an upbeat, child-like disposition, inspiring a particularly celebratory Coltrane solo. The vamping figures of \"Cousin Mary\" and \"Mr. P.C.\" lead to solos permeated with blues fervor. And of course, there's \"Naima\" (written for John's first wife), one of the saxophonist's tenderest, most enduring themes, with a melody that floats above Tommy Flanagan's serene chordal colors like a solitary cloud at dusk.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/4\/2003\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":52365118177570,"sku":"13EUG3-UPTN-00","price":32.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/john-coltrane-giant-steps-180-gram-vinyl_Z30L1.jpg?v=1787451364"},{"product_id":"my-chemical-romance-black-parade-living-with-ghosts-10th-anniversar","title":"My Chemical Romance BLACK PARADE \/ LIVING WITH GHOSTS (10TH ANNIVERSAR","description":"\u003cp\u003eMy Chemical Romance's tenth anniversary reissue of their 2006 album, The Black Parade, contains a remastered version of the original album accompanied by a bonus disc called Living with Ghosts. That second disc has rough mixes of \"The Five of Us Are Dying\" and \"Emily,\" plus live demos of nine other songs from the album (a notable absence is the single \"Teenagers\").\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top2000\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/23\/2016\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"My Chemical Romance","offers":[{"title":"Default Title","offer_id":52384995475746,"sku":"FOD097-FYLL-00","price":52.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/my-chemical-romance-black-parade-living-with-ghosts-10th-anniversar_xGQVv.jpg?v=1787677927"},{"product_id":"my-chemical-romance-i-brought-you-my-bullets-you-brought-me-your-love","title":"My Chemical Romance I Brought You My Bullets, You Brought Me Your Love","description":"\u003cp\u003eMy Chemical Romance: Gerard Way (vocals); Ray Toro, Frank Iero (guitar); Mike Way (bass); Matt Pelissier (drums). If you're searching for a dose of party music or feel-good escapism, you won't find it on I Brought You My Bullets, You Brought Me Your Love. Lyrically, this debut album by My Chemical Romance is definitely on the dark side; lyrics like \"The amount of pills I'm taking counteracts the booze I'm drinking\" (from \"Honey, This Mirror Isn't Big Enough for the Two of Us\") and \"I think I'll love to die alone\" (from \"Cubicles\") are typical of the New Jersey band's less than rosy outlook. But like so many angst-ridden alternative pop\/rock and punk-pop artists who have emerged in the early 2000s, My Chemical Romance know how to be exuberant and introspective at the same time -- musically, they tend to be aggressive and hard rocking, but lyrically, they're all about introspection. And that combination certainly isn't unique; from Nirvana to blink-182 to Creed -- from post-grunge to emo -- plenty of alterna-rockers have demonstrated that a band can rock aggressively and be introspective at the same time. But if My Chemical Romance are less than groundbreaking, they're good at what they do. Produced by Thursday's lead singer, Geoff Rickly, I Brought You My Bullets, You Brought Me Your Love is a generally decent effort -- one that deals with a lot of negative emotions and does so in a very candid way. Some will find the lyrics depressing, but then, rock music isn't obligated to press the smile button 24 hours a day. Sadness, pessimism, anger, disillusionment -- none of which are difficult to find on this album -- are, like happiness, pleasure, and optimism, valid areas of rock expression. I Brought You My Bullets, You Brought Me Your Love falls short of exceptional, but it's a noteworthy, generally respectable debut for the New Jersey combo. [I Brought You My Bullets was re-released on LP in 2015.] ~ Alex Henderson\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eBest Sellers: Top500\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/09\/2015\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"My Chemical Romance","offers":[{"title":"Default Title","offer_id":52384995508514,"sku":"DKZ5L3-K78D-00","price":32.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/my-chemical-romance-i-brought-you-my-bullets-you-brought-me-your-love_QGiit.jpg?v=1787677930"},{"product_id":"billie-eilish-dont-smile-at-me-limited-edition-international-pressing-clear-colored-vinyl-import","title":"Billie Eilish Dont Smile At Me (Limited Edition, International Pressing, Clear Colored Vinyl) [Import]","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eThe debut extended play by the American singer\/songwriter which contains several of her previously released singles, including 'Ocean Eyes', 'Bellyache', 'Watch', 'Copycat' and 'Idontwannabeyouanymore'.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"aec-musictabs\" class=\"ui-tabs ui-corner-all ui-widget ui-widget-content\"\u003e\n\u003cul role=\"tablist\" class=\"ui-tabs-nav ui-corner-all ui-helper-reset ui-helper-clearfix ui-widget-header\"\u003e\n\u003cli role=\"tab\" class=\"ui-tabs-tab ui-corner-top ui-state-default ui-tab ui-tabs-active ui-state-active\" aria-controls=\"mt-1\" aria-labelledby=\"MusicTracks\" aria-selected=\"true\" aria-expanded=\"true\" style=\"font-weight: bold;\" tabindex=\"0\"\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"mt-1\" aria-labelledby=\"MusicTracks\" role=\"tabpanel\" class=\"ui-tabs-panel ui-corner-bottom ui-widget-content\" aria-hidden=\"false\"\u003e\n\u003cdiv id=\"aec-jukebox\" class=\"tracksonly\"\u003e\n\u003cdiv class=\"jp-playlist tracksonly\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Copycat\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Idontwannabeyouanymore\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e My Boy\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Watch\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Party Favor\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Bellyache\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Ocean Eyes\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e Hostage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cul\u003e\n\u003cli\u003eReleased: 2026-05-08\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 2026-05-08\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Billie Eilish","offers":[{"title":"Default Title","offer_id":52385063403810,"sku":"AHBISQ-4MY3-8Z","price":44.78,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0956\/0745\/6034\/files\/billie-eilish-dont-smile-at-me-limited-edition-international-pressing-clear-colored-vinyl-import_Tthsa.png?v=1787678324"}],"url":"https:\/\/www.discomaniasv.com\/collections\/pop.oembed?page=2","provider":"Discomania - Discos y Mas","version":"1.0","type":"link"}